The Bulgarian Pavilion at the 61^st International Art Exhibition of La Biennale di Venezia is conceived as the headquarters of a fictional research lab operating within a post sovereign, care oriented political imagination known as The Federation of Minor Practices. Positioned slightly ahead of the present, the Pavilion looks back at the early twenty first century as the moment when the conditions for this formation first became visible.

The Pavilion itself occupies the present as a space of suspension. Conceived as an interactive environment based on a computer game, it gathers signals from the four films and activates them through play as a practice of collective orientation.

From the perspective of an imagined future, the Pavilion appears as an early laboratory of formation, where shared procedures of attention, care, and play began to assemble a post sovereign political imagination.